Studies in the UK opened Jungjoo Im’s eyes to the world of international design, but when he returned to Seoul his focus became on creating products that had a universal appeal, yet referenced local tradition. His work with Korean timber in the creation of his decorative objects is experimental, but tends to emphasise hand-shaped craft, drawing upon the traditional wood turning technique of gal-e-jil craftsmanship. His unique approach is highlighted in his noneloquent project, which was recently displayed at the Onyang Museum, and challenged the notion of conventional form in creating designs that were deliberately devoid of function. His work reflects a mood among contemporary Korean designers challenging the norms of their industry, which typically makes objects purely for function.
Australian industrial designer Henry Wilson’s work, which includes product commissions from skincare company Aesop and furniture for high-end Sydney restaurants, similarly pays attention to the importance of form. The sand-casted bronze objects he’s become known for all marked individually by the tactile, changeable nature of the rich material and the sculptural quality of his designs. Yet, despite being beautiful pieces to behold, Wilson’s work tends to always serve a democratic utility, blurring the lines between function and ornament.
Wilson and Im speak about the making techniques behind their meticulously produced works and the similarities and differences in their creative processes.
JUNGJOO IM
www.object-labs.comHENRY
WILSON
www.store.henrywilson.com.au
JUNGJOO IM
www.object-labs.comHENRY
WILSON
www.store.henrywilson.com.au
© Images provided by
– Jungjoo Im
– Cultural Heritage
Administration